Franck & Martin’s Piano Quintets

Franck & Martin’s Piano Quintets

Harmonious Contrasts: Franck & Martin’s Piano Quintets

July 2023
The Armida Quartett, joined by the pianist Martin Klett, delivers a compelling performance of Franck and Martin’s Piano Quintets in this captivating release by CAvi-music. The recording showcases the distinct approaches of the two composers to the piano quintet medium, with Franck placing the piano at the forefront and Martin reserving it for a unique role.

Franck’s 1879 composition presents a rich tapestry of melodies, where the piano takes on a prominent and leading role. The performers embrace Franck’s intricate melodies, weaving them into a cohesive and emotionally charged narrative. The Armida Quartett and Martin Klett exhibit a remarkable ability to convey the nuances of Franck’s dynamic range, effortlessly navigating from the most delicate pianissimos to thundering fortissimos. Throughout the work, their synergy and interpretive depth create a harmonious balance, drawing the listener into Franck’s intricate tonal exploration.

In contrast, Martin’s 1919 Piano Quintet displays a more fragmented and contrapuntal approach to composition. The 29-year-old composer’s skill in intertwining brief musical ideas is evident, although he diverges from Franck’s penchant for building long, sweeping melodies. This divergence presents a challenge that the performers meet with finesse, embracing the intricacies of Martin’s composition. The musicians’ trust in the composer’s markings allows the work’s complexity to shine, with the only exception being a minor unmarked accelerando in the final bars of the Franck piece.

One of the intriguing commonalities between Franck and Martin lies in their playful treatment of tonality. Franck’s daring shifts between D flat major and A minor are matched by Martin’s even bolder tonal explorations. The note-writer’s insight into Martin’s avant-garde inclinations adds depth to the analysis, noting that despite brief forays into 12-note serialism, tonality remains the guiding force.

The Armida Quartett and Martin Klett excel in their execution, showcasing a remarkable range of dynamics that spans from the most delicate lyricism to awe-inspiring grandeur. Their collective virtuosity is harnessed masterfully, allowing the performers to traverse the demanding terrain of both Franck and Martin’s works. The ensemble’s ability to maintain a well-balanced interplay between instruments contributes to the recording’s overall coherence.

While the review does not dwell on minor imperfections, the unmarked accelerando in the Franck’s closing bars is a forgivable exception. In light of the exceptional performances throughout, this minor deviation seems inconsequential.

Armida Quartett and Martin Klett’s  commitment to embracing the distinct nuances of each work, along with their impeccable technical prowess, results in a recording that invites listeners to delve into the intricate musical landscapes crafted by Franck and Martin. This release is a testament to the musicians’ artistry and dedication, making it a valuable addition to any classical music collection.

Berlin Stories

Berlin Stories

“Harmonies of Cultural Capitals: Exploring Mendelssohn, Juon, and Skalkottas in Trio Gaspard’s Berlin Stories”

July 2023
In “Berlin Stories,” Trio Gaspard takes us on an enthralling musical journey, diving into the cultural capitals of Mendelssohn, Juon, and Skalkottas. Although the title hints at a specific Berlin experience, the pieces themselves seem to transcend geographical boundaries, making this album a delightful exploration of diverse musical expressions.

Opening with Mendelssohn’s Piano Trio No. 2 in C minor, Op. 66, the trio showcases their technical prowess and emotional depth. The outer movements burst with liveliness and passion, a true embodiment of Beethovenian spirit. Trio Gaspard maintains clarity and precision throughout the stormy turbulence of the work, skillfully conveying the composer’s rich musical tapestry. However, it’s worth noting that while the violinist, Jonian Ilias Kadesha, dazzles with his virtuosity, his presence occasionally lingers in the shadows, yearning for more moments to shine.

Paul Juon’s Litaniae, Op. 70, takes us on a mesmerizing journey through a post-Romantic landscape of epic proportions. Written after World War I, this tone poem radiates intense emotions and spiritual depth. Trio Gaspard’s unwavering commitment to the piece is evident, immersing listeners in its unrelenting intensity. Amidst Juon’s thick chromaticism, the trio deftly navigates moments of lightness, offering a respite before plunging back into the sea of emotions. This piece, with its unique character, might not be for the faint-hearted, but it certainly leaves a lasting impression.

Nikos Skalkottas’ Eight Variations on a Greek Folk Theme add a fresh and intriguing dimension to the album. Drawing from the Viennese cultural universe of his teacher, Arnold Schoenberg, Skalkottas masterfully blends serial and tonal elements. Trio Gaspard’s performance brings out the clean dissonance and playfulness, creating a compelling contrast to Juon’s dense compositions. The musicians’ interpretation accentuates the piece’s uniqueness, captivating listeners with its inventive charm.

Trio Gaspard proves their musical prowess throughout “Berlin Stories,” breathing life into each piece with their masterful artistry. While the geographical link to Berlin might not be explicitly felt in all compositions, the trio’s ability to convey the emotional essence of the music is undeniable. The recording quality ensures a balanced listening experience, allowing every instrument to shine brightly.

“Berlin Stories” by Trio Gaspard is a captivating journey through varied musical landscapes, demonstrating the trio’s deep appreciation and understanding of each piece. Their passion and skill make this album a delightful choice for chamber music enthusiasts, offering a diverse repertoire that is both challenging and rewarding. Whether you seek exhilarating fervor or contemplative introspection, this album has something special to offer.

Symphonies No. 5 & 7 “Unfinished”

Symphonies No. 5 & 7 “Unfinished”

Schubert’s Symphonies Nos. 5 & 7 ‘Unfinished’ – A Transcendent Exploration of Musical Brilliance

July 2023
Conductor Pablo Heras-Casado and the Freiburger Barockorchester present a delightful and emotionally rich exploration of Schubert’s Symphonies Nos. 5 and 7 ‘Unfinished.’ Their flourishing partnership has yielded a growing catalog of quality recordings, and this album is no exception. Heras-Casado’s approach seeks to highlight the stylistic differences between these two symphonies, and the results are captivating and worth a listen.

From the very first notes of Symphony No. 5 in B-flat major, D. 485, the Freiburger Barockorchester demonstrates their exceptional skill and chamber-like cohesion. Heras-Casado’s brisk yet nuanced direction breathes fresh life into the music, infusing it with sheer joy and balletic grace. The ‘Allegro’ opening sets a thrilling pace, capturing the essence of youthful exuberance. The second movement takes a more songful approach, with expressive phrasing and intimate interplay among the musicians. In the ‘Menuetto,’ the ensemble’s virtuosity shines through, creating a delightful contrast between the lively Scherzo and the charming Trio. The final ‘Allegro Vivace’ is a whirlwind of energy and enthusiasm, leaving listeners with a sense of jubilation.

In Symphony No. 7, D. 759, ‘Unfinished,’ Heras-Casado brings a romantic and emotionally rich conception. The Freiburger Barockorchester’s transparent and lean sound complements the music’s inherent beauty, creating a haunting and atmospheric performance. The first movement is imbued with brooding atmosphere and expertly builds tension, leading to a gripping central climax. The second movement surprises with its buoyancy and ravishing horn sounds, followed by delicate and soul-stirring wind solos. Heras-Casado’s attention to the myriad of emotions in this movement results in a truly captivating experience.

The Freiburger Barockorchester’s expertise as a period instrument ensemble is evident throughout the album. Their impeccable balance and unity of playing reflect their chamber-music approach, creating an organic and unified sound. The recording quality is outstanding, capturing the ensemble’s every nuance and detail with remarkable clarity.

While some might yearn for a longer album duration, the vibrant and beautifully played readings presented here leave a lasting impression. Heras-Casado’s interpretative choices, coupled with the Freiburger Barockorchester’s artistry, breathe new life into these timeless symphonies. This recording is a testament to the ensemble’s musical brilliance and an invitation to discover Schubert’s music with fresh ears.

In conclusion, ‘Schubert’s Symphonies Nos. 5 & 7 ‘Unfinished” is a captivating and transcendent exploration of musical brilliance. Heras-Casado and the Freiburger Barockorchester prove themselves as exceptional interpreters of Schubert’s works, offering listeners an unforgettable and emotionally profound journey. Whether a seasoned classical music enthusiast or a newcomer to Schubert’s symphonies, this album is a must-have addition to any music collection. Prepare to be transported to a world of musical wonder and be captivated by the timeless beauty of Schubert’s genius.

Shostakovich | Prokofiev – Violin Duos

Shostakovich | Prokofiev – Violin Duos

July 2023
The new release by Julia Fischer and Kirill Troussov on Orchid Classics is a true gem for chamber music enthusiasts. Bringing together two of the world’s most sought-after violinists, this album features rarely-heard 20th-century Russian chamber pieces: Dmitri Shostakovich’s Five Pieces for Two Violins and Piano, and Sergei Prokofiev’s Sonata for Two Violins.

The exploration of two violins duetting and engaging in a musical dialogue is at the heart of both compositions, making this repertoire a perfect showcase for the natural rapport and exceptional artistry of Fischer and Troussov. Their chemistry and deep understanding of the music shine through each note, captivating the listener from start to finish.

The album begins with Shostakovich’s Five Pieces for Two Violins and Piano, beautifully arranged by Lev Atovmyan. In the Prelude, the violinists immediately draw the listener into their world with a sense of anticipation and mystery. The Gavotte follows with its tranquility and lightness, demonstrating the artists’ impeccable phrasing and seamless coordination.

Moving on to the Elegy, Fischer and Troussov skillfully convey the emotional depth of the piece, leading to the enchanting Waltz with its charming waltzing rhythm. The finale, Polka, brings a burst of energy and vivacity, showcasing the violinists’ virtuosic flair and playful spirit.

The second half of the album features Prokofiev’s Sonata for Two Violins in C Major, Op. 56, a rarely performed gem in the violin repertoire. Fischer and Troussov handle this demanding work with grace and passion, delving into its various moods and nuances. The first movement, Andante cantabile, unfolds with a lyrical and expressive quality that tugs at the heartstrings.

In the Allegro, the violinists display their technical prowess, effortlessly navigating the intricate passages and intricate rhythms. The Commodo, quasi allegretto offers a gentle and charming respite, before the duo launches into the vibrant and spirited Allegro con brio, leaving the listener exhilarated.

Throughout the album, Julia Fischer and Kirill Troussov’s playing is marked by precision, sensitivity, and a profound musical understanding. Their seamless ensemble and unified phrasing create a captivating listening experience. The sound engineering by Orchid Classics perfectly captures the depth and intimacy of their performances.

Individually, Fischer and Troussov are celebrated violinists, and their collaboration on this album is a testament to their remarkable talent and artistic vision. Their partnership brings out the best in each other, resulting in a compelling and memorable musical encounter.

In conclusion, Julia Fischer and Kirill Troussov’s violin duos release is a captivating exploration of musical brilliance and a delightful addition to the chamber music repertoire. With their impeccable artistry and innate chemistry, they breathe new life into these lesser-known works, making this album a must-have for any classical music enthusiast’s collection. Prepare to be enchanted by the mesmerizing world of Fischer and Troussov as they take you on a mesmerizing journey through the heart of Russian chamber music.

Discovering Mendelssohn

Discovering Mendelssohn

Enchanting Horizons: Christian Li’s Musical Odyssey with Mendelssohn

July 2023
Christian Li, the young and talented violinist who shot to fame in 2018 by winning the Junior Category of the Yehudi Menuhin Competition at just ten years old, returns with a captivating new album, “Discovering Mendelssohn,” released by Decca Classics. In this collection of works, Li pays homage to composer Felix Mendelssohn, presenting pieces that hold special significance in the composer’s heart.

The album opens with Mendelssohn’s cherished “On Wings of Song,” tenderly arranged for strings and harp. Li’s performance is nothing short of mesmerizing as he weaves his way through the piece, tastefully embellishing the melody and infusing it with genuine emotion. His flawless technique and seamless phrasing reveal a level of artistry beyond his years.

Moving on to Mendelssohn’s “Rondo Capriccioso, Op. 14,” accompanied by Lawrence Matheson and arranged by Abram Yampolsky, Li impresses with his warm and heartfelt interpretation. The Rondo comes alive with Li’s nimble and virtuosic playing, captivating listeners with his mature approach and extraordinary skill. The bravura coda leaves a lasting impression, a testament to Li’s remarkable talent.

In the iconic “Serenade” from Schubert’s “Schwanengesang,” Li and his accompanying artist deliver a poignant and soul-stirring rendition. Mischa Elman’s arrangement provides the perfect backdrop for Li’s expressive and sensitive performance, taking us on a nostalgic journey through the heartfelt song.

Li’s partnership with pianist James Baillieu comes to the fore in Mendelssohn’s “Spring Song,” Op. 62. Together, they breathe life into this popular piece, infusing it with joy and jubilation. Li’s endearing performance captures the essence of spring, leaving us uplifted and captivated.

The centerpiece of the album is Mendelssohn’s “Violin Concerto in E minor, Op. 64,” where Li joins forces with the Melbourne Symphony Orchestra conducted by Sir Andrew Davis. This concerto, a favorite of audiences and violinists alike, showcases Li’s mastery as he effortlessly navigates its intricacies. With warmth, passion, and an unwavering sense of musicality, Li’s interpretation is nothing short of remarkable, making this a standout recording that is sure to be treasured by classical music aficionados.

Li’s collaboration with cellist David Berlin in J.S. Bach’s “St Matthew Passion” adds a soulful dimension to “Erbame Dich, mein Gott.” The arrangement effectively conveys the poignant emotion of the piece, and the interplay between the violin and cello is beautifully executed.

Wolfgang Amadeus Mozart’s “Violin Sonata No. 21, K 304” finds Li and Baillieu in perfect harmony once again. The reflective and emotive performance is a testament to their musical connection, delivering a moving and memorable rendition of this work.

The album concludes with Mendelssohn’s delightful “Venetian Gondola Song” from “Songs Without Words.” Li’s collaboration with guitarist Xuefei Yang creates a delightful soundscape, capturing the essence of Venice as imagined by the composer. This charming and delightful piece is the perfect ending to an enchanting musical journey.

While initially skeptical of combining a well-known concerto with smaller pieces, often considered as encores or salon music, the album’s flow works splendidly. Christian Li’s artistry impresses with his assured technique, passion, agility, and grace, while also revealing a depth of musical feeling and maturity well beyond his years. This album is a must-have addition to any classical music collection, and it firmly establishes Christian Li as a rising star in the world of classical violinists. Bravo to this remarkable young artist!

La Roque d’Anthéron Festival

La Roque d’Anthéron Festival

Melodic Splendor: Discovering the Charms of La Roque d’Anthéron Festival

Top Classical, July 2023
Nestled in the charming commune of La Roque, the picturesque La Roque d’Anthéron Festival emerges as a mesmerizing celebration of music, culture, and art. It all started back in 1971 when Paul Onoratini, the mayor of La Roque at the time, teamed up with his son, Bernard, an interior architect with an ardent passion for the piano, to launch the “Musique à Silvacane” project. This initial venture featured a series of seven concerts held at Silvacane Abbey each year—a promising beginning to what would become a much grander musical affair.

Intriguingly, the festival’s roots intertwine with the story of a fateful meeting between Paul Onoratini and René Martin, who dreamt of creating a piano festival in the Aix region. A stroke of fate brought them together, and when Paul Onoratini discovered the magnificent Parc de Florans, he was filled with enthusiasm for the vision. Thus, the first La Roque d’Anthéron Festival was born in 1981, on a single stage in the Parc du Château de Florans.

The debut festival boasted twelve concerts, attracting a remarkable 9000 spectators, eager to witness performances by renowned artists like Youri Egorov, Vlado Perlemuter, Martha Argerich, and Krystian Zimermann. The event’s early success set the stage for future greatness.

Since that milestone event, the festival has flourished, inviting over 700 pianists, featuring a staggering 2509 concerts, and recording an impressive two million tickets sold. René Martin, the artistic mastermind behind the festival, has also contributed his magic touch to numerous other musical endeavors, including the Festival de la Grange de Meslay, the Abbaye Royale de Fontevraud, and the Moments Musicaux de l’Hermitage-Barrière in La Baule. And let’s not forget his role in creating La Folle Journée in Nantes, Tokyo, Bilbao, Rio, and Warsaw—truly a force to be reckoned with in the music world.

What makes La Roque d’Anthéron Festival stand out is the harmonious collaboration between the Artistic Direction and the Presidency, fostering an environment of simplicity and quality. Both artists and audiences are welcomed with genuine warmth, and the dedication of numerous devoted volunteers is the lifeblood of the festival.

Now, let’s dive into the magic of the upcoming 43rd edition, filled with breathtaking performances and delightful surprises. This year’s highlights include the “Intégrale des concertos pour piano de Beethoven,” presented across four evenings at various locations. Featuring the likes of Bertrand Chamayou, Anne Queffélec, and François-Frédéric Guy, this Beethoven feast is not to be missed.

Venturing into the world of Chopin, the festival presents a captivating evening titled “Chopin, ou Le Temps retrouvé,” with Jean-Marc Luisada at the Théâtre des Terrasses in Gordes. Another promising talent, Bruce Liu, winner of the Chopin Competition in Warsaw, will grace the stage with Rossini and Chopin masterpieces.

The festival also pays tribute to the great Rachmaninov, featuring pianists like Anna Geniushene and Nikolaï Lugansky. And let’s not forget the exciting carte blanche given to Alexandre Kantorow, performing works by Beethoven and Schubert alongside talented artists like Liya Petrova and Aurélien Pascal.

For those eager for fresh musical experiences, the festival will feature diverse genres, including Baroque, jazz, and even electronic music, adding a thrilling new dimension to the event.

As the festival pays homage to remarkable composers like Henri Dutilleux, Julian Anderson, and Philippe Schoeller, it invites audiences to immerse themselves in a world of imagination, color, and originality.

With Alexandre Tharaud’s captivating performance and a vibrant program featuring Rameau, Grieg, and Beethoven, the La Roque d’Anthéron Festival promises an enchanting and unforgettable journey into the realm of music and art. Embrace the magic, explore the melodies, and revel in the musical wonders that await at La Roque d’Anthéron.

What Remains

What Remains

Echoes Through Eternity: ‘What Remains’

July 2023
Dudok Quartet Amsterdam delivers an enchanting auditory exploration with their latest release, “What Remains.” A symphony of diverse compositions, ranging from centuries past to the contemporary, this album takes listeners on an immersive journey through time and sound. While occasionally missing a visual element, the quartet’s impassioned performance leaves an indelible mark, particularly in the title work by Joey Roukens.

The eponymous centerpiece of the album, Roukens’s “String Quartet No. 4 ‘What Remains,'” is a musical odyssey that delves into the realms of memory, form, and music itself. The quartet’s rendition resonates with fervor and connection, inviting audiences to embark on an introspective expedition. Roukens’s quartet is a captivating tapestry, woven with intricate threads of emotion that unravel with each subsequent listen, revealing the depths of its artistic brilliance.

“What Remains” embraces a sweeping range of compositions, from the early notations of Pérotin’s “Viderunt omnes” to the enigmatic madrigal by Gesualdo. These historical pieces act as pillars, framing the hauntingly powerful performances of Olivier Messiaen’s celestial “Oraison” from “Fête des belles eaux” and Steve Reich’s immersive “Different Trains.” The album’s thematic focus on time, motion, and journeys is poetically expressed through this eclectic selection, offering a sonorous glimpse into the continuum of human experience.

A standout gem, Steve Reich’s “Different Trains,” unfurls as a cinematic masterpiece, intertwining a World War II narrative with magnetic tape effects and evocative voiceovers. The quartet’s rendition captures the essence of the composition’s emotional depth, though at times, the recorded sound’s constraints prevent the full realization of its grandeur, imparting a peculiar dryness and confinement.

While the conceptual through-lines of time and motion occasionally meld less seamlessly across the album’s eclectic array, Dudok Quartet Amsterdam’s impassioned and intense performance bridges these realms. The quartet’s dedication to Roukens’s opus and the wider repertoire is palpable, drawing listeners into an enchanting auditory world that ignites the imagination.

In summation, “What Remains” is a meticulously curated mosaic of sound that beckons listeners to contemplate the elusive passage of time and the spectral echoes of history. Despite minor limitations in capturing the full auditory spectrum, the Dudok Quartet Amsterdam’s masterful interpretations, particularly of Joey Roukens’s resonant quartet, make this album an enriching and immersive journey for aficionados of classical and contemporary soundscapes alike.

The Chopin Project Trilogy

The Chopin Project Trilogy

An Unconventional Ode to Chopin: The Chopin Project by Camille Thomas

July 2023
In the realm of classical music, innovation and reinterpretation often breathe new life into beloved compositions, and “The Chopin Project” by cellist Camille Thomas stands as a showcase of this creative spirit. Thomas takes on the monumental task of transcribing Chopin’s quintessentially pianistic works for the cello, producing a triple album that offers a unique perspective on the masterful composer’s creations.

At first glance, the idea of translating Chopin’s intricate piano compositions to the cello might raise eyebrows, but historical precedent reveals that such a fusion would not have been out of place during the 19th century. Augmented by the contributions of Chopin’s friend, cellist Auguste Franchomme, these transcriptions bridge the gap between two instrumental worlds, yielding a fresh sonic landscape that invites both scrutiny and admiration.

Divided into three distinct sections, the album traces the evolution of this daring project. The initial CD boasts arrangements for cello and piano, not only by Franchomme but also by Thomas herself and other skilled musicians. Thomas’s performance is imbued with a profound understanding of Chopin’s lyricism, yet her execution remains controlled, fitting seamlessly into a chamber music context. An unexpected gem on this disc is a rendition of Jane Birkin and Serge Gainsbourg’s “Jane B.,” interwoven with Chopin’s Prelude in E minor, Op. 28, No. 4, demonstrating the eclectic scope of Thomas’s vision.

The second segment delves into Chopin’s complete chamber music, some of which receives Franchomme’s transformative touch. This exploration provides a rich opportunity to appreciate Chopin’s compositions through a different lens, revealing intricate details that might be overshadowed on the piano.

The third and final CD showcases Chopin’s works reimagined for multiple cellos, courtesy of Franchomme’s innovative arrangements. Furthermore, Emanuel Schmidt’s cello and string quartet version of the Cello Sonata, Op. 65, adds an extra layer of depth to the project. Notably, Franchomme’s own compositions, included in this section, once masqueraded as authentic Chopin pieces, a testament to his mastery and the era’s blurred lines between composers.

Camille Thomas, the driving force behind this endeavor, emerges as an inspired cellist. Her dedication to uncovering the Chopin-Franchomme connection is evident in her meticulous research and heartfelt performances. While experiencing the entirety of “The Chopin Project” in one sitting might be a formidable task, the album offers an invaluable contribution to the Chopin discography. This release caters to both ardent Chopin enthusiasts and those seeking a novel perspective on classical music history.

“The Chopin Project” by Camille Thomas is a bold and imaginative exploration of Chopin’s compositions through the lens of the cello. Thomas’s artistry and dedication shine through, offering a multifaceted listening experience that challenges preconceptions and enriches the world of classical music. This album is a worthy addition to any serious Chopin lover’s collection and a demonstration of the enduring spirit of musical innovation.

Beethoven and Beyond

Beethoven and Beyond

Maria Dueñas – “Beethoven and Beyond”

July 2023
Maria Dueñas, at just 20 years old, makes a striking DG debut with “Beethoven and Beyond,” showcasing her gleaming and heavily vibrato-laden tone, along with a proudly legato delivery and phrasing filled with captivating little emphases. The highlight of the album is her highly individual and memorable rendition of Beethoven’s Violin Concerto, recorded live over three Vienna Musikverein performances.

Dueñas’ interpretation of the Beethoven Violin Concerto is undeniably Romantic in every sense, but it’s cleverly balanced by the slightly crisper and noble-flavored orchestral support provided by her mentor, Manfred Honeck. Honeck’s guidance keeps a tight hold on the momentum of the first movement, skillfully navigating through marked slowings for the super-hushed minor-key episodes and coda re-entry. Particularly noteworthy is how Honeck allows the bassoonist to shine through the orchestral texture, adding an extra layer of brilliance to the performance. While this rendition may not suit those seeking a more brisk and energetic approach, its finely balanced nature will enchant listeners with its emotional depth.

Adding a unique touch to the concerto, Dueñas showcases her talent as a composer by providing three brand new self-penned cadenzas. These bold and languorously romantic creations add a fresh perspective to the familiar piece, with the finale’s cadenza being the most striking of the trio. Dueñas’ creativity and artistic expression shine through these compositions, demonstrating her prowess not only as a performer but also as a gifted composer.

The album continues with a selection of short works by composers who also wrote first-movement cadenzas for Beethoven’s concerto. These pieces play brilliantly to Dueñas’ warm-blooded virtuosity, further highlighting her exceptional skill on the violin. However, it is worth mentioning that a missed opportunity occurs by not programming each work alongside its respective composer’s Beethoven cadenza. This could have offered a unique variation and provided insights into how these composers translated their musical languages into Beethoven’s concerto. Nonetheless, the album’s overall impact remains powerful and captivating.

Maria Dueñas’ “Beethoven and Beyond” is an impressive debut album, where her remarkable talent and artistry shine brightly. Her interpretation of Beethoven’s Violin Concerto is highly individual and emotionally charged, enriched by the excellent orchestral support from Manfred Honeck. The addition of her self-composed cadenzas adds a personal touch to the iconic concerto, showcasing her versatility as a musician. While the missed opportunity in programming the short works alongside their respective cadenzas is notable, the album still packs a punch and leaves a lasting impression. Maria Dueñas undoubtedly has a promising future ahead as both a performer and composer in the classical music world.

Tchaikosvky by Alpesh Chauhan

Tchaikosvky by Alpesh Chauhan

Tchaikovsky’s Evocative Symphony: A Theatrical Exploration

July 2023
Alpesh Chauhan and the BBC Scottish Symphony Orchestra embark on an insightful voyage into the realm of Tchaikovsky’s compositions in their latest release. Featuring “The Voyevoda,” “The Tempest,” “Francesca da Rimini,” and excerpts from “Cherevichki,” this album unveils Chauhan’s profound understanding of Tchaikovsky’s musical language while showcasing the orchestra’s exquisite responsiveness.

“The Voyevoda,” a work overlooked by the composer himself, comes alive under Chauhan’s skilled direction. The performance opens with a brisk tempo, immediately capturing the listener’s attention. Chauhan deftly navigates the shifts between haunting bass clarinet passages and impassioned love themes, leading to a chilling conclusion punctuated by gunshot-like sounds. The BBC Scottish Symphony Orchestra responds with remarkable sensitivity, vividly illustrating the dramatic narrative.

Chauhan’s interpretation of “The Tempest” continues this exploration of dramatic intensity, immersing the listener in a vivid sonic representation of the Shakespearean tale. The quasi-impressionistic opening establishes a captivating mood, gradually building into a tempestuous storm, with the orchestra portraying both the fury and fleeting moments of calm. The orchestra’s delicate strings create an atmosphere of enchantment, artfully phrasing the emerging love theme amid the turmoil.

The excerpts from “Cherevichki” demonstrate Tchaikovsky’s inventive spirit, convincingly presented by Chauhan and the orchestra. The performance captures the opera’s charm and wit, showcasing Chauhan’s ability to breathe life into lesser-known pieces and infusing them with vibrancy.

The pinnacle of the album arrives with a compelling rendition of “Francesca da Rimini.” Chauhan guides the orchestra through passages of fervent energy, mirroring the blossoming and tragic love affair between Paolo and Francesca. The orchestra’s performance is particularly commendable during the climax of the middle section, where the emotional intensity is palpable. While the opening Wagnerian chords might lack some gravitas, this minor concern does little to diminish the overall impact of the interpretation.

Throughout the album, Alpesh Chauhan’s deep connection with Tchaikovsky’s works shines through, skillfully leading the BBC Scottish Symphony Orchestra through intricate passages and sweeping emotional landscapes. The orchestra’s responsiveness is remarkable, breathing life into each note and capturing the essence of Tchaikovsky’s intricate orchestrations.

In summation, this CD highlights Chauhan’s impressive grasp of Tchaikovsky’s musical language and the orchestra’s impeccable playing. Whether you are a seasoned admirer of Tchaikovsky’s compositions or a newcomer eager to explore the depths of Romanticism, this album is a must-listen. It offers an immersive exploration of Tchaikovsky’s evocative symphonic world, illuminated by Alpesh Chauhan and the BBC Scottish Symphony Orchestra’s artistry.