Richard Strauss Cello Sonatas

March 2020
When a musical treasure trove is unearthed, it is a cause for celebration among classical enthusiasts. Such is the case with Raphaela Gromes and Julian Riem’s captivating album, featuring Richard Strauss’ Cello Sonatas. The centerpiece of this recording is the Cello Sonata in F Major Op. 6, a work that has held a special place in the hearts of cellists and music aficionados for years. However, what makes this release truly exceptional is the inclusion of the world premiere recording of the previously unknown, original first version of the sonata, composed in 1881.

Gromes and Riem’s relationship with Strauss’ Cello Sonata Op. 6 dates back to 2012 when they incorporated it into their concert repertoire. Learning of the existence of an earlier, radically different iteration of the piece sparked their curiosity, and their dedication to bringing this musical relic to life is evident in their performances.

The album immerses listeners in a fascinating juxtaposition of two versions of the same work. The side-by-side presentation of the original 1881 version and the more familiar 1883 revision allows listeners to trace the evolution of Strauss’ creative process. This approach offers a unique opportunity to appreciate the composer’s artistic growth and the transformative impact of his revisions. Gromes and Riem guide us through these musical time capsules with an expert touch, ensuring that the nuances and contrasts between the versions are vividly brought to life.

The true revelation of this album is the early version of the Cello Sonata, bursting with youthful exuberance and innovation. Gromes’ cello sings with a radiant tone, beautifully complemented by Riem’s sensitive and dynamic piano accompaniment. The artists breathe life into every phrase, infusing the music with a sense of freshness and spontaneity that is truly captivating. The Cello Sonata’s charm is further enhanced by the eloquent dialogue between the cello and piano, demonstrating the profound musical connection between Gromes and Riem.

Beyond the sonatas, the album also treats us to beguiling song arrangements that showcase the depth and versatility of Strauss’ compositional voice. The performances are exquisitely detailed, capturing the subtleties of the music and reflecting the artists’ genuine love for the material.

Raphaela Gromes and Julian Riem’s exploration of Richard Strauss’ Cello Sonatas is a musical journey of discovery and rediscovery. Their commitment to sharing the lesser-known version of the Op. 6 Cello Sonata is commendable, and their performances shed light on a side of Strauss that has long remained hidden. As we are presented with a delightful blend of the familiar and the newly unveiled, this album stands as a testament to the enduring power of music and the art of interpretation. “Recommended” does not begin to capture the depth of this recording; it is a must-listen for anyone seeking a fresh perspective on Strauss’ legacy.