Cameron Carpenter
November 2020
This album released by Sony Classical was the American organist Cameron Carpenter first orchestral recording, and also his first live concert recording. This release features an original Rhapsody version of a song by Rachmaninoff’s Paganini, recorded live at Berlin’s Konzerthaus, alongside Poulenc’s Popular Concerto for Organ, Strings and Timpani. The album program is completed by Vierne’s Organ Symphony No. 1, recorded live as the encore for the concert. Carpenter is accompanied by the Konzerthausorchester Berlin under the direction of renowned director Christoph Eschenbach.
The artist’s adaptation for organ and orchestra of the Rhapsody on a theme by Rachmaninov’s Paganini demonstrates Carpenter’s exemplary musical ability. This is not an easy task indeed, because of the complexity involved in combining the orchestra with a solo instrument of equal or superior possibilities. However, Carpenter’s version is perfectly balanced, with no relevant interferences and just right to meet his personality and his manual and pedal technique. The Rachmaninov’s piece keeps the original essence but with a new fresh spirit. Carpenter performs with great control and artistry, and at the same time he takes our breath away leading us to feel the unbridled romanticism of the work.
Poulenc’s concerti is considered one of the most popular of organ concerti and affecter this recording it definitely became even more well known. Carpenter, now as a rigorous soloist, masters it amazing us once again with his incredible technique.
Maybe the weakest point of the recording is The Vierne where we can spot an over elongation of the musical line and the frequent change in tonal registrations and the tempi which doesn’t seem to match with the original work.
The orchestra accompaniments under the artistic and creative direction of Mr. Christoph Eschenbach become a crucial part of the performance. They sound precise and clear and in complete synchronization with the organist.
We must also point out the superb recording quality of the CD which totally gives protagonism to the organ in this tonal combination of organ and orchestra. The sound jumps out of the digital world into your space with power and motion.
The 14 pages booklet also contain the detailed explanations of this fine M&O Touring Organ and is the first time that they have been published. We definitely recommend you to use a good stereo System to enjoy this Jewel CD to the fullest!
– Clara Horner