Barber · Bruch

February 2023
From the very first notes of Bruch’s Violin Concerto No. 1 in G minor, Esther Yoo weaves a spellbinding performance, infusing well-known phrases with yearning intensity and introspective awe. Vasily Petrenko’s masterful direction delicately balances the orchestra, allowing Yoo’s artistry to shine through effortlessly.

Esther Yoo’s interpretation of Bruch’s Violin Concerto No. 1 in G minor immediately captures the listener’s attention with her yearning intensity and introspective awe in the opening recitativos. Petrenko’s handling of the orchestra strikes a delicate balance, skillfully dialing down the cello and bass pizzicatos to create a true piano un poco marcato. Comparisons with other renowned recordings reveal the Royal Philharmonic Orchestra’s finesse, as they embrace the ominous descending minor thirds with controlled power rather than full-throttle forte, setting this rendition apart.

Yoo’s emotional artistry shines through in the slow movement, where she delicately floats the aching phrases with moving tendresse, inviting the listener into a world of half-whispered correspondences. In contrast, other interpretations like Isaac Stern’s display pulsating longing, creating a different but equally captivating experience. In the Adagio appassionato, Yoo brings out a heart-warming radiance, giving new life to this lesser-known gem, and outshining some previous renditions.

Moving on to the Barber Concerto, Yoo’s poetic resourcefulness and thoughtfulness add a fresh perspective, making the work feel more emotionally wide-ranging. While Stern’s rendition is overwhelmingly charismatic, Yoo’s interpretation provides a unique and captivating listening experience. The Royal Philharmonic Orchestra complements her beautifully, displaying glowing finesse, suppleness, and nimble virtuosity in the finale.

The album closes with Yoo’s spirited and indulgent performance in Vieuxtemps’ Variations on Yankee Doodle, where she confidently embraces portamentos and injects her signature flair. While Yoo excels in this piece, it’s worth noting that Itzhak Perlman’s rendition with Samuel Sanders remains a pinnacle of excitement and energy.

In summary, Barber • Bruch: Violin Concertos is a compelling recording that showcases Esther Yoo’s exceptional skills as a violinist, and the Royal Philharmonic Orchestra’s finesse under the baton of Vasily Petrenko. This album is a must-listen for both classical music enthusiasts and those looking to explore these timeless concertos with a fresh perspective.