July 2023
Renaud Capuçon (violin) and Kit Armstrong (piano) present an enthralling journey into the world of Mozart’s mature violin sonatas in their latest release, “Mozart: Sonatas for Piano and Violin.” This Deutsche Grammophon offering showcases Violin Sonatas Nos 17-28, 32-33, and 35-36, alongside delightful variations that bring out the duo’s mastery of their respective instruments.

Capuçon’s discerning choice to exclude Mozart’s earlier violin sonatas, written during his childhood, allows for a focused exploration of the composer’s more mature works. The decision emphasizes the substantial development of the violin and piano as equal partners in this period, underpinning the evolution of the medium itself.

A highlight of the album is the enchanting interplay between the two instruments, effectively shifting between foreground and background roles. Mozart’s ingenuity unfolds as the performers navigate seamless transitions, exemplified by the C major Sonata K303. Here, the dialogue between slow and fast passages in both movements demonstrates Mozart’s creativity at its peak.

The album features two sets of variations, presenting lighter musical material that balances the weightier sonatas. Capuçon and Armstrong’s skillful execution imbues these variations with a sense of playfulness and charm, inviting listeners into Mozart’s musical playground.

The treasures of this collection, however, lie in the later sonatas. The B flat Sonata K454 shines as a masterpiece, with its exceptionally beautiful Andante second movement. Historically significant, it was composed for an Italian violin virtuoso, and Mozart’s improvisational prowess is palpable in Armstrong’s sensitive piano part.

The A major Sonata K526, with its technical demands and grand scale, further showcases the duo’s profound artistry. Capuçon’s violin artfully converses with Armstrong’s modern Bechstein piano, creating a rich tapestry of sound that encapsulates the essence of Mozart’s mature compositions.

Throughout the album, Capuçon’s violin tone exudes a controlled brilliance, hinting at his vast resources while maintaining a sense of restraint. This dynamic partnership between the violinist’s finesse and Armstrong’s poised piano performance results in interpretations that capture the music’s inherent freshness and spirit.

 Renaud Capuçon and Kit Armstrong’s  insightful interpretations bring to life the composer’s intricate dialogues between violin and piano, shedding light on the genre’s evolution. This album is a must-listen for both aficionados of Mozart and enthusiasts of chamber music alike.

June 2023
Eva Saladin’s sophomore solo album is a wonderful exploration into the depths of the 17th-century violin world, shedding light on the enigmatic genius of Giovanni Antonio Pandolfi Mealli. A virtuosic violinist in her own right, Saladin embarks on a journey that unfolds the mysteries of Pandolfi Mealli’s Violin Sonatas Opp 3 & 4, weaving a delicate tapestry of sound that resonates with elegance and emotion.

Within this auditory reverie, Saladin displays impeccable technical finesse. Her bow dances effortlessly across the strings, each note executed with precision and grace. The ensemble’s cohesion is a testament to Saladin’s prowess, as the harmonious interplay between violin and continuo creates a seamless sonic experience. While some may seek bombast, Saladin’s measured approach allows the intricate nuances of Pandolfi Mealli’s compositions to shine through.

A highlight of this album is Saladin’s ability to capture the essence of each sonata. She masterfully navigates the intricate ornamentations and captivating Lombardic passages, immersing the listener in a world of musical intricacies. The subtlety of her interpretation serves as a reminder that sometimes, less is more—a sentiment that allows Pandolfi Mealli’s ingenious craftsmanship to take center stage.

Comparisons to other interpretations become irrelevant when Saladin’s unique vision unfolds. Her rendition of La Vinciolina, Op 4 No 6, while distinct from others, is no less enthralling. The intimacy of her performance draws the listener in, inviting them to explore the labyrinthine corridors of the composer’s mind. Through Saladin’s expert touch, the second section blossoms with a sweetness that lingers long after the final note.

Saladin’s choice to open with La Cesta, Op 3 No 2, displays her insight into the narrative arc of the album. Each note resonates with purpose, as if revealing the layers of a complex story. The interplay between violin and continuo creates a sense of dialogue, a conversation that unfolds with both subtlety and fervor. Johannes Keller’s organ adds a layer of mystique, enhancing the sonic palette with its rich timbre. In the grand tapestry of Baroque violin, Eva Saladin’s interpretation is a thread of captivating allure. Her journey through Pandolfi Mealli’s works unearths a sense of wonder and discovery, inviting the listener to partake in the unveiling of musical secrets. While some may seek more flamboyant renderings, Saladin’s understated elegance paints a portrait of enchantment that lingers in the mind, beckoning listeners to explore the depths of PANDOLFI MEALLI Violin Sonatas Opp 3 & 4 again and again

June 2023
Yulianna Avdeeva, the remarkable Russian pianist whose indomitable spirit has captivated audiences, unveils her latest musical journey, “Resilience,” in a breathtaking album released under the Pentatone label. Avdeeva’s prowess at the piano is showcased through an exquisite selection of works by Prokofiev, Shostakovich, Szpilman, and Weinberg, each composition reflecting her profound connection to the musical heritage of Eastern Europe.

Avdeeva’s resolute stance on current events, particularly her outspoken views on the war in Ukraine, adds a layer of poignant significance to her performance. As the winner of the prestigious Chopin Competition in 2010, Avdeeva’s affinity for Polish music is palpable, and it resonates throughout this remarkable collection.

The album commences with Władysław Szpilman’s hauntingly nostalgic 1942 Mazurka, a delicate and touching tribute to a bygone era. Avdeeva’s delicate touch and nuanced phrasing infuse the piece with emotion, capturing the essence of Szpilman’s reminiscences. The more avant-garde elements of Szpilman’s compositional language are boldly explored in his “Life of the Machines” suite from 1933. Avdeeva navigates through the intricate rhythmic patterns and shifting textures, revealing the evolution of musical language during a time of societal transformation.

Mieczysław Weinberg’s Piano Sonata No. 4 offers a profound contrast, with its introspective and consoling Adagio. Avdeeva’s interpretation delves deep into the emotional core of the piece, unraveling its intricate layers and poignant melodies. The Polish-born composer’s experiences and tribulations are eloquently conveyed through Avdeeva’s sensitive and empathetic touch.

A cornerstone of the album is Dmitri Shostakovich’s Piano Sonata No. 1, composed during a time of uncertainty as the young composer was carving his path in the world of music. Avdeeva captures the essence of Shostakovich’s inner turmoil, infusing the piece with both angst and hope, paying homage to the composer’s resilience and artistic vision.

The pinnacle of “Resilience” arrives with Sergei Prokofiev’s monumental Piano Sonata No. 8, the final and longest of his three “war sonatas.” Avdeeva’s interpretation demonstrates her masterful command of the piano’s tonal palette and structural intricacies. While her approach may differ from more aggressive interpretations, her deliberate restraint lends a refreshing perspective, allowing the work’s thematic complexity to unfold with clarity. The sonata culminates in an exhilarating finale that showcases Avdeeva’s technical brilliance and emotional depth.

 Yulianna Avdeeva’s  profound connection to the music and history of Eastern Europe is palpable, as she navigates through a diverse array of compositions with a keen musical intellect and unparalleled emotional depth. Avdeeva’s ability to capture the essence of each piece while infusing her personal narrative makes “Resilience” a truly captivating and introspective musical journey that will resonate deeply with listeners.

June 2023
In their latest release, “Lebensmuth,” the Signum Quartett embarks on a musical expedition that delves into the profound world of Franz Schubert’s compositions. This ensemble demonstrates an unwavering commitment to precision and emotional resonance, leading to an intricate tapestry of musical expression.

The crowning jewel of the album is undeniably Schubert’s final string quartet, No. 15 in G major, D887. The Signum Quartett’s meticulous approach shines brilliantly in this work. The slow movement, in particular, stands out for its passionately rendered visionary middle section, enveloping the listener in a sonic reverie. The quartet’s deliberate tempo choice for the tarantella-like finale provides a unique perspective, enhancing the music’s emotional depth. It’s worth noting, however, that a ponderous ritardando during the final two chords slightly interrupts the overall fluidity of the performance.

Schubert’s inaugural string quartet, D18, serves as a poignant reminder of the composer’s formative years. Written when Schubert was a mere 13 years old, this quartet reflects an affinity for orchestral elements and a touch of rigidity inherent to youthful experimentation. While lacking the intricate sophistication of his later compositions, D18 offers a glimpse into Schubert’s burgeoning artistry.

The album also introduces song arrangements thoughtfully crafted by Xandi van Dijk, the quartet’s viola player. These adaptations breathe new life into Schubert’s Lieder, seamlessly transitioning them into the chamber music domain. Yet, some arrangements may leave listeners yearning for the grandeur and intricacy found in the original vocal renditions, as the nature of chamber instrumentation occasionally trims away layers of complexity.

“Lebensmuth” by Signum Quartett emerges as a profound exploration of Schubert’s legacy, aptly portraying the quartet’s meticulous craftsmanship and emotional depth. While the spotlight shines brightest on the interpretation of Schubert’s final quartet, the inclusion of his early work and the artful song arrangements enrich the musical mosaic. The Signum Quartett’s dedication to interpreting Schubert’s compositions with sensitivity and innovation solidifies this release as a significant addition to the classical music aficionado’s library.

May 2023
Lalo & Casals: Cello Concertos, presented by Sony Classica, is an enchanting exploration of the less-traveled paths within the realm of cello concertos. In a delightful departure from the familiar works of Dvořák, Elgar, Saint-Saëns, and Shostakovich, this album showcases Édouard Lalo’s renowned cello concerto and introduces audiences to an unknown masterpiece by Enrique Casals, the younger brother of the legendary Catalan cellist Pablo Casals.

Jan Vogler, the world-famous cellist, undertakes this musical journey with finesse and emotion, fulfilling the high expectations set by his previous performances. The album commemorates both the two hundredth anniversary of Édouard Lalo’s birth and the fiftieth anniversary of Pablo Casals’ passing, making it an homage to the celebrated composer and the iconic cellist.

The opening piece, Lalo’s cello concerto, unveils the genius of this Catalan composer. Vogler’s artistry masterfully portrays the seamless blending of German Romanticism and lively Spanish folk music in the concerto. The Prélude, with its bold and compelling energy, keeps the listener on the edge of their seat. Vogler skillfully maintains an undertow of foreboding, adding depth to the music’s contemplative nature. In the Intermezzo, the soloist effortlessly navigates between contemplation and dance-like passages, captivating the audience with every note. The Finale, a splendidly composed Rondo, begins with an achingly poignant threnody, later transitioning into a vibrant and colorful Spanish fiesta, brought to life by Vogler’s vivid interpretation.

Though the Lalo cello concerto has seen numerous interpretations over the years, Vogler’s performance stands tall among the greats. Lynn Harrell’s rendition on Decca remains a benchmark of passion and energy, but Vogler’s stylish and ebullient account deserves a place at the summit. His artistic prowess elevates this timeless masterpiece to new heights.

In an extraordinary twist, the album unveils the world premiere recording of Enrique Casals’ cello concerto. Written in F major with a subtitle, ‘In Romantic Serious Style,’ this hidden gem captivates from the outset. As the first movement bursts into life, Vogler takes us on a mesmerizing journey, conjuring images of the picturesque Sant Salvador coastline and the captivating Catalan landscape. The second movement, marked Adagio doloroso, showcases Vogler’s expressive prowess, rendering the lyrical writing with heartfelt emotion reminiscent of Brahms’ finest moments. The Finale: Tempo di sardana, inspired by the Catalan folk dance, brims with warmth and positivity, leaving the audience invigorated and spellbound.

Under the baton of the talented Josep Caballé-Domenech, the Moritzburg Festival Orchestra provides an impressive accompaniment. The Lukaskirche’s renowned acoustics, coupled with Sony’s first-class engineering, deliver a rich and immersive sound experience, further accentuating the brilliance of Vogler’s performance.

Vogler’s cello, the Stradivarius ex-Castelbarco, Fau (1707), lends a captivating and beautiful tone to the entire recording. Vogler’s skillful technique and innate musicality bring out the instrument’s soul, leaving the listener spellbound by his compelling performances.

Lalo & Casals: Cello Concertos is a riveting and captivating journey into the world of forgotten cello concertos. Jan Vogler’s virtuosic and passionate interpretations, supported by the brilliant Moritzburg Festival Orchestra, breathe new life into these neglected works. This album is a testament to the richness of classical music, unearthing hidden treasures that deserve a place in the hearts of music lovers worldwide.

May 2023
In an extraordinary display of musical prowess, Karina Canellakis takes the baton to lead the Netherlands Radio Philharmonic Orchestra in an exhilarating recording of Bartók’s timeless masterpieces – the “Concerto for Orchestra” and the “Four Orchestral Pieces.” Released under the renowned PentaTone label, this collaboration marks Canellakis’s highly anticipated debut as the orchestra’s Chief Conductor, and it does not disappoint.

The “Four Orchestral Pieces” open the album with a daringly spacious “Preludio” that oozes sensuous allure. Canellakis’s deft touch conjures an atmosphere reminiscent of Ravel’s magic, captivating the listener from the first note. As the music progresses, the second movement’s Scherzo bursts into play with delightful sarcasm, showcasing the orchestra’s prowess and obvious enjoyment under Canellakis’s spirited direction. The ensuing Moderato delivers a gentler, more distilled beauty, leaving listeners entranced by the Netherlanders’ captivating interpretation. The set reaches its climactic conclusion with a powerful funeral march, brimming with weighty emotion and delivered with Pentatone’s characteristic wide and deep soundstage.

The pièce de résistance of the album is, undoubtedly, Bartók’s “Concerto for Orchestra,” a crowning jewel of his illustrious career. Bursting with folk melodies and colors, this monumental work unleashes the full potential of each instrument, and Canellakis expertly harnesses the orchestra’s talent to bring Bartók’s vision to life. The first movement’s low string soliloquy strikes a surprisingly plain-spoken chord, albeit with an undercurrent of fearful apprehension. Canellakis’s masterful guidance encourages incisive playing, though the engineering occasionally softens the overall impact.

The second movement sets the stage for something truly remarkable. Taken at a slightly faster tempo, Canellakis infuses the music with sarcastic playfulness, revealing the orchestra’s joyful spirit. The “Elegia” that ensues casts a hauntingly forbidding aura, creating a perfect balance between the playful and the eerie. Canellakis’s meticulous attention to detail allows the inner textures of the orchestra to shine through, offering a deeply immersive listening experience.

The fourth movement bursts forth with vivid character, and the orchestra excels in conveying the caustic mockery that echoes Shostakovich’s seventh symphony. In the final movement, Canellakis unleashes the orchestra’s collective virtuosity, driving the music with a sense of urgency and passion. Despite occasional moments where the engineering softens the orchestra’s aggressive playing, the overall performance leaves a lasting impact, fueled by Canellakis’s enthusiasm and the orchestra’s commitment.

Comparisons with other notable recordings are inevitable, but Canellakis’s interpretation stands out for its unique charm and emotional depth. While Solti’s Chicago recording and Fischer’s Budapest Festival Orchestra version offer their own merits, Canellakis’s partnership with the Netherlands Radio Philharmonic Orchestra infuses the music with an invigorating spirit and a distinctive artistic voice.

PentaTone’s impeccable recording quality envelopes the listener in a sonic wonderland, seamlessly capturing the live performances without any distracting elements. Canellakis’s debut collaboration with PentaTone has yielded a thrilling album that showcases the brilliance of Bartók’s orchestral gems and marks a promising beginning for this exciting partnership. Brace yourself for an unforgettable journey through Bartók’s captivating world, brought to life by the consummate artistry of Karina Canellakis and the Netherlands Radio Philharmonic Orchestra.