Jean Paul Gasparian

Top Classical November 23, 2023

Jean Paul Gasparian

A Symphony of Keys

Jean-Paul Gasparian, a name synonymous with the poetic touch of the piano, emerged from the heart of Paris, a city as romantic and artistically rich as his music. Born into a family with a deep reverence for classical music, Gasparian’s initiation into the world of the piano commenced at a tender age, setting him on a path towards musical greatness.

Gasparian’s educational journey in music is as notable as his performances. He honed his skills at the revered Paris Conservatory, where he was nurtured under the watchful eyes of experts in the field. His early accomplishments at the conservatory were a harbinger of the accolades that would follow. His profound understanding of music was further enriched by his studies in chamber music, where he learned the art of blending his piano with the voices of other instruments.

The summer academies of Europe played a pivotal role in shaping Gasparian’s artistic persona. Under the mentorship of seasoned pianists, he absorbed the subtleties of musical expression, adding depth to his already impressive technique. His time at the Paris CNSM, studying with some of the best in the field, was a period of intense growth, preparing him for the demanding world of international piano competitions.

Gasparian’s journey through these competitions is a tale of triumph. He captured the attention of the classical music world with his victories and became a sought-after performer at prestigious concert halls and festivals across Europe. His performances, whether in Paris or at international venues, are remembered for their emotional depth and technical brilliance.

In 2013, Gasparian’s repertoire expanded to include major concertos, showcasing his ability to command the grand stage with orchestral accompaniment. His performances of Liszt and Beethoven concertos were not just concerts but musical narratives told through the keys of the piano.

His continuous pursuit of excellence led him to prestigious awards and recognitions, each a testament to his growing stature in the world of classical music. His interpretation of Debussy, recorded in 2022, stands as a testament to his ability to breathe life into classical compositions, making them resonate with contemporary audiences.

Today, Jean-Paul Gasparian isn’t just a pianist; he’s a storyteller whose medium is the piano. His journey from a young Parisian prodigy to an internationally acclaimed artist is a narrative of dedication, passion, and the transformative power of music. As he continues to grace stages worldwide, his music remains a bridge between the classical traditions of the past and the evolving artistic expressions of the present.

Rebirth – Sonya Yoncheva

Top Classical November 12, 2023

Rebirth – Sonya Yoncheva

Rediscovering Radiance: Sonya Yoncheva’s “Rebirth”

Sonya Yoncheva, accompanied by conductor Leonardo García Alarcón and his ensemble Cappella Mediterranea, delivers a soul-stirring masterpiece in her album “Rebirth.” This album, which was conceived during the spring lockdown of 2020, is a manifestation of hope and creative renewal, exploring the profound connection between silence and artistic rebirth. Spanning over five centuries of music, from folksongs to pop and even seventeenth-century opera, Yoncheva’s fourth solo album for Sony Classical is a testament to the enduring power of music to evoke emotions that transcend time.

The album commences with compositions that hail from the dawn of opera, featuring enchanting pieces by Monteverdi, Cavalli, Strozzi, and Stradella. Yoncheva believes that despite the passage of half a millennium, the emotional depth and simplicity found in certain musical styles remain as relevant today as they were centuries ago. This belief resonates through every note she sings.

The thematic journey extends to England, exploring the works of Dowland, Gibbons, and Ferrabosco. An intriguing connection is revealed between Ferrabosco’s motet “Hear me, O God” and ABBA’s “Like an Angel Passing Through My Room,” both sharing a common four-note theme. This blending of eras and genres serves as a reminder that music’s essence is truly timeless.

The album’s exploration continues through dance-inspired compositions from Spain and Latin America, including Alarcón’s thoughtful reconstruction of an aria by Antonio Draghi. Yoncheva then embraces her Bulgarian heritage with a traditional folksong, “Zableyalo mi agance,” which she delivers with an unforgettable emotional intensity. The media’s enthusiastic praise following her performance of the album repertoire at the Salzburg Festival underscores the emotional impact of her music, with critics lauding her ability to move audiences to tears.

Sonya Yoncheva’s passion for this project is palpable. She considers the album an ode to the eternal quality of music, a celebration of boundless freedom that it offers. It’s a call for renewal in a world that craves it desperately. The recording process, undertaken during the first European lockdown, adds an additional layer of depth to the album, as the acoustic environment of La Chaux-de-Fonds’ concert hall is compared to “playing inside a vast lute.” This unique ambiance further enhances the album’s immersive quality.

Having been named artist of the year by Opera magazine readers in 2019 and a sought-after guest artist in prominent opera houses worldwide, Sonya Yoncheva brings her remarkable talent to the forefront in “Rebirth.” Her vocal prowess, combined with the thoughtful curation of timeless compositions, results in an album that resonates deeply and evokes a sense of renewal and optimism.

“Rebirth” is not merely an album; it’s a transformative experience that invites listeners to immerse themselves in centuries of musical artistry and find solace in the enduring power of music. Sonya Yoncheva’s artistry and vision shine through in every track, offering a profound reminder of the beauty that can arise from periods of stillness and silence.

Patienta – Sara Övinge

Top Classical November 8, 2023

Patienta – Sara Övinge

A Contemporary Take on Timeless Classics

Sara Övinge’s “Patientia” presents an innovative reinterpretation of two violin concertos, brought to life by the Norwegian Chamber Orchestra under the direction of Edward Gardner. The album features Kjetil Bjerkestrand’s debut recording of “Patientia” and Philip Glass’s “The American Four Seasons,” both showcasing Övinge’s virtuosity and the orchestra’s adeptness at navigating the intricate landscapes of modern compositions.

In “The American Four Seasons,” Philip Glass offers a departure from traditional reinterpretations of Vivaldi’s masterpiece. Instead of blending Vivaldi’s themes with modern elements, Glass encourages listeners to sculpt their own spring with his evocative score. Sara Övinge’s rendition takes Glass’s 2009 concerto to new heights, replacing the harpsichord with a synthesizer for a more nuanced texture. Throughout the piece’s eight movements, Övinge’s violin soars, injecting drama and energy into each note. The opening movement’s deliberate pace is enlivened by Övinge’s playful pirouettes, while her nimble performance transforms repetitive motifs in the third movement into captivating melodies. The Norwegian Chamber Orchestra, led by Edward Gardner, provides unwavering support, creating a dynamic synergy that propels the concerto forward.

Complementing Glass’s minimalist landscapes, “Patientia” by Kjetil Bjerkestrand is a revelation. The concerto takes its name from the final movement and marks its premiere recording on this album. Unlike Glass’s deliberate separation of electronic and orchestral elements, Bjerkestrand’s composition seamlessly blends electronic and acoustic timbres. The result is a concerto that transcends traditional boundaries, occasionally diverging from the expected violin concerto format. Moments like “En & tyve” challenge conventions, reflecting Bjerkestrand’s diverse cross-genre influences. The concerto’s brisk pace, rhythmic motifs, and fragmented melodies intertwine with electronic soundscapes, creating a captivating auditory journey that engages the listener from start to finish.

One of the distinguishing features of “Patientia” lies in the synthesis of synthesizers and strings, a motif that resonates throughout both concertos. Sara Övinge’s artistry shines as she navigates the intricate interplay between traditional and modern elements, breathing new life into these compositions. Edward Gardner’s guidance of the Norwegian Chamber Orchestra ensures a tight-knit collaboration that captures the essence of the music. In “Patientia,” Sara Övinge and the Norwegian Chamber Orchestra invite audiences into a realm where classical and contemporary fuse harmoniously. With Övinge’s captivating violin performances and the orchestra’s dynamic support, the album presents a fresh perspective on two masterpieces, inviting listeners to experience the classical genre through a modern lens. “Patientia” is not just an album; it’s a journey of exploration and innovation that leaves a lasting impression.

Bampton Classical Opera

Top Classical November 6, 2023

Bampton Classical Opera

A Jewel of Baroque and Classical Masterpieces

Nestled in the picturesque Cotswold village of Bampton, the Bampton Classical Opera has charmed audiences for decades with its commitment to reviving lesser-known works of the Baroque and Classical periods. In 2023, this hidden gem of the classical music world once again brought to life the timeless beauty of opera, captivating the hearts of all who attended.

Bampton Classical Opera, founded in 1993 by Gilly French and Jeremy Gray, has earned a stellar reputation for its dedication to uncovering and showcasing long-forgotten operas. The festival has introduced audiences to the musical brilliance of composers whose works have languished in obscurity for centuries.

The 2023 edition of the Bampton Classical Opera was a testament to the festival’s enduring commitment to the art form. Here’s a glimpse of the enchanting highlights:

This year’s program transported audiences back to the Baroque era with an exquisite performance of Francesco Cavalli’s “La Calisto.” Cavalli, a master of Venetian opera, saw his work brought to life with authenticity and passion. The production’s period-appropriate staging and lavish costumes transported the audience to the heart of 17th-century Venice.

Bampton’s dedication to unearthing hidden treasures continued in 2023 with the performance of André Grétry’s “Zémire et Azor.” Grétry, an 18th-century composer, might not be a household name today, but his music’s charm and beauty were undeniable in this delightful production.

The festival featured a cast of outstanding young vocalists whose performances were nothing short of breathtaking. Their virtuosic voices and captivating stage presence breathed life into the characters, evoking laughter, tears, and standing ovations from the audience.

One of the hallmarks of the Bampton Classical Opera is its commitment to historical accuracy. The use of period instruments and meticulous attention to detail in recreating the original production’s aesthetic transported the audience to the time when these operas first graced the stage.

One of the festival’s unique attributes is its intimate setting. Performances take place in the charming St. Mary’s Church in Bampton, creating an atmosphere of closeness and connection between performers and audience members. It’s an experience that can’t be replicated in grand opera houses.

Beyond its musical excellence, the Bampton Classical Opera is cherished for its strong ties to the local community. Its educational initiatives, workshops, and outreach programs ensure that the love of opera is passed on to future generations.

Bampton Classical Opera is not just a festival; it’s a custodian of the essence of opera. In an age where grand productions often overshadow the intimacy and purity of the art form, Bampton reminds us of the power of storytelling through music.

As we bid adieu to the 2023 edition of the Bampton Classical Opera, we are left with a renewed appreciation for the enduring beauty of these forgotten operatic treasures. This humble festival in the heart of England continues to unearth and showcase the brilliance of composers from bygone eras, reaffirming the timeless appeal of opera and its power to transcend time and captivate the soul.

In the years to come, the Bampton Classical Opera will undoubtedly continue its noble mission, offering a glimpse into the past while inspiring future generations to keep the flame of classical music burning bright.

Brahms Double Concerto · Clara Schumann Piano Trio – Anne-Sophie Mutter & Pablo Ferrández

Top Classical November 4, 2023

Brahms Double Concerto · Clara Schumann Piano Trio – Anne-Sophie Mutter & Pablo Ferrández

Anne-Sophie Mutter presents a captivating reimagining of Brahms’ “Double Concerto” in A minor, featuring cellist Pablo Ferrández and the Czech Philharmonic, conducted by Manfred Honeck. Mutter enthusiasts might recall her previous recording of the same piece in the ’80s with Antonio Meneses and under the baton of Karajan with the Berlin Philharmonic. The album doesn’t stop at Brahms, also including Clara Schumann’s G minor piano trio with Mutter’s long-time chamber partner, Lambert Orkis.

In the realm of Brahms, intensity reigns supreme, extending even to the more subdued passages. The initial cello cadenza demands moments of musical conflict and struggle, attributes that Ferrández masterfully conveys. His nuanced vibratos infuse tenderness into his solos, creating achingly delicate moments. Mutter seizes her own opportunities to shine, particularly noticeable in her swift transformation from piano to a bold forte at 1’51”. The new interpretation adds a raw and poignant edge to the softer moments, setting it apart from her earlier rendition.

The third movement emerges as the pinnacle of the concerto. Ferrández’s bow mastery offers two distinct perspectives to his solo: a blend of resonance and buoyancy followed by a supple and satisfying sostenuto in legato passages. His slightly quicker tempo adds a dance-like quality to the theme, complemented by the smoother timbre of his cello compared to Meneses. Mutter’s entrance echoes the same material, highlighting her unique artistic personality. Both performers showcase meticulous attention to the composer’s textures and abrupt shifts in character.

Conductor Manfred Honeck seizes the orchestral interlude to sustain the momentum set by Mutter, infusing an almost urgent ferocity with string pushes that powerfully energize the movement. This fervor not only unifies the movement but also elevates the enthusiasm of the soloists. Ferrández could have offered a more distinct arrival in terms of color at the A major section, yet his performance maintains an engaging energy.

The album’s second half features Clara Schumann’s G minor trio with pianist Lambert Orkis. This segment falls slightly short of the first. The Allegro Moderato possesses dramatic and poignant elements inherent to Romantic compositions; however, more vibrant contrast and assertiveness are needed. Lyrical moments lack the required charm, partly due to a piano part that occasionally feels matter-of-fact. The slow third movement (Andante) fares better, with Mutter crafting beautiful lines and utilizing gradients of vibrato for an expressive touch.

While the sound engineering balances clarity with the two soloists’ presence in Brahms, excessive reverb slightly diminishes the ensemble’s power—a disappointment given the performance’s infectious energy. A few minor flaws do not detract from the overall enjoyable experience, particularly in the Brahms compositions. Anne-Sophie Mutter’s revisitation of the “Double Concerto” offers a fresh and emotionally resonant perspective, complemented by Pablo Ferrández’s skillful cello work and the vibrant collaboration of the Czech Philharmonic under Manfred Honeck’s baton.

The Walt Disney Concert Hall

Top Classical November 2, 2023

The Walt Disney Concert Hall

Magical place, magical sound

In the heart of downtown Los Angeles, an architectural marvel stands as a testament to the enduring power of creativity and the synergy between the visual and the auditory arts. The Walt Disney Concert Hall, designed by the renowned architect Frank Gehry, is not merely a concert hall; it is a symphony of form, function, and sound that continues to captivate both music lovers and architecture enthusiasts alike.

The journey of the Walt Disney Concert Hall began as a visionary dream. In 1987, Lillian Disney, widow of the legendary Walt Disney, made a generous donation to the Los Angeles Philharmonic Orchestra to construct a new performance venue. This act of generosity ignited a creative spark that would eventually lead to one of the most iconic and acoustically superior concert halls in the world.

The Walt Disney Concert Hall’s distinctive design, conceived by the groundbreaking architect Frank Gehry, is a testament to human imagination. Gehry’s vision was to create a space that harmonized with the surrounding urban landscape while simultaneously pushing the boundaries of conventional architectural norms.

The exterior of the hall is a study in fluidity and grace, with gleaming stainless steel panels that seem to ripple like the waves of a musical score. The interplay of light and shadow across the hall’s undulating surface creates a captivating visual experience that evolves throughout the day.

While the Walt Disney Concert Hall is undeniably a work of architectural art, its true brilliance lies in its acoustics. The interior of the hall was meticulously designed to ensure that every note, from the softest pianissimo to the thunderous fortissimo, is heard with unparalleled clarity and warmth.

The vineyard-style seating arrangement, where the audience surrounds the orchestra in terraced tiers, allows for an intimate connection between performers and listeners. The reflective Douglas fir paneling that adorns the interior not only enhances the visual aesthetics but also contributes to the hall’s exceptional acoustics.

Since its inauguration in 2003, the Walt Disney Concert Hall has been the official home of the Los Angeles Philharmonic Orchestra. Under the baton of its renowned conductor, Gustavo Dudamel, the orchestra has flourished in this acoustically pristine environment. The hall’s exceptional acoustics enable musicians to explore the full spectrum of their artistry, creating performances that resonate deeply with audiences.

While classical music takes center stage at the Walt Disney Concert Hall, it is not confined to a single genre. The hall plays host to a wide range of musical experiences, from chamber music and contemporary compositions to jazz and world music. This diversity reflects the hall’s commitment to fostering musical creativity and innovation.

The Walt Disney Concert Hall is more than just a venue; it is an enduring symbol of the unbreakable bond between architecture and music. Its timeless design and flawless acoustics continue to inspire generations of artists, musicians, and visitors alike.

As visitors step into the gleaming foyer, ascend the grand staircase, and take their seats beneath the iconic sail-like canopy, they become part of a living symphony, where architecture and music converge in perfect harmony. The Walt Disney Concert Hall is a testament to the enduring power of human creativity and the ability of art to transcend time, enriching our lives with its beauty and inspiration.

BBC Proms

Top Classical November 2, 2023

BBC Proms

A Journey Through the Enchanting Waves of Sound

The BBC Proms, often dubbed the “greatest classical music festival in the world,” returned in full glory in 2023, enchanting audiences with a stunning array of musical performances that left listeners in awe of the transcendent power of classical music. Celebrating its 128th season, the Proms once again proved its ability to captivate and inspire both seasoned enthusiasts and newcomers to the world of classical music.

For over a century, the BBC Proms has been a cherished institution in the world of classical music. Established in 1895, it has grown from a modest series of concerts into an eight-week-long festival, hosting a plethora of performances, ranging from orchestral masterpieces to chamber music, choral works to contemporary compositions.

The 2023 edition of the BBC Proms was a remarkable journey through the annals of classical music, featuring renowned orchestras, world-class soloists, and groundbreaking contemporary works. Here’s a glimpse into the highlights of this year’s festival:

The festival kicked off with a resplendent performance by the BBC Symphony Orchestra, conducted by the eminent Sir Simon Rattle. The evening featured Gustav Holst’s iconic suite, “The Planets,” complete with stunning visual projections that transported the audience on an interstellar voyage. This performance set the bar high for the rest of the festival.

2023 marked the 250th birth anniversary of Ludwig van Beethoven, and the Proms paid homage to this musical giant with a series of concerts dedicated to his compositions. His symphonies, piano concertos, and chamber works were brought to life by world-class performers, reaffirming the timeless appeal of Beethoven’s music.

The Proms has always embraced contemporary music, and this year was no exception. A diverse selection of modern composers showcased their creations, pushing the boundaries of classical music. Premieres of compositions by living composers like Anna Clyne and Thomas Adès left audiences pondering the endless possibilities of sound.

The festival featured an array of virtuosic soloists, leaving the audience breathless with their mastery of their respective instruments. From the pianistic prowess of Yuja Wang to the sublime violin performances by Nicola Benedetti, each soloist brought a unique and captivating energy to the stage.

The Proms is renowned for its choral performances, and 2023 was no exception. The renowned BBC Singers, alongside other exceptional choirs, showcased the beauty and power of the human voice in a series of breathtaking choral concerts. The harmonies resonated in the hearts of the audience, creating moments of profound emotional connection.

The grand finale of the Proms, known as the “Last Night,” is a British tradition. This year, it was an exuberant celebration of music and community spirit. The Royal Albert Hall resounded with the iconic tunes of “Rule, Britannia!” and “Land of Hope and Glory,” concluding with a mesmerizing display of fireworks that illuminated the London skyline.

The BBC Proms has consistently upheld its mission of making classical music accessible to all. Its commitment to offering affordable ticket prices, hosting Proms in the Park events across the UK, and broadcasting every concert on radio and television ensures that classical music remains a cherished and inclusive art form.

In an era marked by constant change, the BBC Proms stands as a testament to the enduring power of classical music. Each year, it reignites the passion for this timeless art, bringing together musicians and audiences from around the globe to revel in the magic of harmony and melody.

As we bid adieu to the 2023 edition of the BBC Proms, we eagerly anticipate the next summer when the world will once again gather in London to partake in this musical odyssey. Until then, the echoes of this year’s performances will linger in our hearts, a reminder that classical music continues to inspire, uplift, and unite us all.

Tchaikovsky Symphony No. 5. Romeo and Juliet Fantasy Overture – Aziz Shokhakimov

Top Classical October 27, 2023

Tchaikovsky Symphony No. 5. Romeo and Juliet Fantasy Overture – Aziz Shokhakimov

Transcendent Interpretations: Tchaikovsky’s Symphony No. 5 & Romeo and Juliet by Aziz Shokhakimov and the Orchestre philharmonique de Strasbourg

Aziz Shokhakimov and the Orchestre philharmonique de Strasbourg have once again demonstrated their prowess with a captivating recording featuring Tchaikovsky’s Symphony No. 5 and Romeo and Juliet Fantasy Overture. This latest addition to their repertoire adds to the orchestra’s growing reputation for producing exceptional recordings that resonate with both depth and innovation.

Under the baton of Aziz Shokhakimov, the Alsatian orchestra brings a fresh perspective to these well-known Tchaikovsky works. Shokhakimov’s dynamic conducting style infuses the performances with a sense of vitality and emotional depth. His ability to unveil new layers of interpretation in these beloved compositions is a testament to his musical insight and command over the ensemble.

The Fate-driven Symphony No. 5 is a perfect canvas for Shokhakimov and the orchestra to showcase their synergy. The emotional journey of the symphony, from its somber opening to its triumphant finale, is traversed with precision and sensitivity. The orchestra’s distinctive sound, as carefully nurtured by Shokhakimov, is readily apparent in the lush string passages, resonant brass accents, and nuanced woodwind solos. This distinctive quality is a hallmark of the ensemble, contributing to the immersive experience of the recording.

Romeo and Juliet, a piece rich with dramatic narrative, receives a passionate and evocative treatment from Shokhakimov and the Orchestre philharmonique de Strasbourg. The surging crescendos and poignant melodies are masterfully rendered, painting a vivid sonic picture of the tragic Shakespearean tale. Shokhakimov’s attention to detail allows the orchestra to capture the emotional essence of the narrative, making the music feel alive and compelling.

Aziz Shokhakimov’s connection with the orchestra is palpable, evident in the cohesion and synergy exhibited in this recording. The ensemble’s responsiveness to his direction is a testament to his leadership and the chemistry he has fostered since first encountering the orchestra in 2014. With this recording, the Orchestre philharmonique de Strasbourg reaffirms its position as a dynamic and innovative force in the classical music scene.

In conclusion, this recording of Tchaikovsky’s Symphony No. 5 and Romeo and Juliet Fantasy Overture by Aziz Shokhakimov and the Orchestre philharmonique de Strasbourg is a testament to the orchestra’s commitment to producing exceptional and captivating performances. Shokhakimov’s artistic vision and the orchestra’s distinctive sound come together to create a recording that is both emotionally resonant and musically engaging. This release is a must-listen for classical music enthusiasts and a testament to the enduring power of Tchaikovsky’s compositions when brought to life by such talented performers.

Sally Beamish

Top Classical October 25, 2023

Sally Beamish

A Musical Odessey Weaving Scotland’s Tapestry

Sally Beamish is a composer whose works breathe life into the enchanting world of classical music. Born on August 26, 1956, in London, this talented artist has not only etched her name in the annals of contemporary composition but has done so while wearing multiple musical hats. Her music, a captivating blend of tonal, lyrical, reflective, and eclectic elements, evokes the essence of her beloved Scotland, its landscape, and culture. Like a master weaver, Beamish incorporates threads of Scottish folk music, jazz, and even birdsong to craft compositions that stir the soul.

Growing up in a musical household, Sally Beamish was nurtured by the melodies and harmonies that filled the air. Her father, an amateur singer, and her mother, a professional violinist with the esteemed Academy of St Martin-in-the-Fields, were the guiding stars of her musical journey. Before Beamish could read and write letters, her mother taught her to read and write music. Together with her brother, who was also a talented singer, they often dazzled audiences in family concerts.

However, Beamish’s path to composition wasn’t straightforward. After receiving training at the Royal Northern College of Music in Manchester, she embarked on a career as a freelance violist. She graced the stages with prominent groups, including the London Sinfonietta, the London Mozart Players, and the Scottish Chamber Orchestra. Her virtuosity on the viola was evident, but her true calling as a composer was yet to be realized.

A pivotal moment in Sally Beamish’s life came when her 18th-century Gabrielli viola was stolen from her house. Instead of wallowing in despair, she saw this as an opportunity for transformation. With characteristic optimism, she made a conscious decision to embrace composition as her life’s work.

Beamish’s compositions have won the hearts of music enthusiasts around the world, making it difficult to pinpoint her most famous pieces. However, for those new to her work, exploring her Accordion Concerto, The Seafarer (her second viola concerto inspired by a ninth-century Anglo-Saxon poem), and Seavaigers (a chamber concerto for harp and fiddle) is a fitting starting point.

Sally Beamish’s connection to the viola never waned. Her daughter, a talented luthier, crafted a viola that reignited her passion for the instrument after a 20-year hiatus. Beyond composing, she also immerses herself in painting, narration, and writing, showcasing her multifaceted talents. In 2006, she received The Scotsman and Orange Short Story Award for her captivating drama, “Housework,” a testament to her storytelling prowess.

Beamish’s career has been a tapestry of diverse experiences and collaborations. From the early days of performing with the Academy of St Martin-in-the-Fields and the London Sinfonietta, she transitioned into composition and eventually relocated to Scotland in 1990 to pursue her passion for creating music. Her compositions resonate with a rich tapestry of influences, particularly jazz and the traditional music of her beloved Scotland.

In 2018, she was awarded the Inspiration Award at the British Composer Awards, recognizing her lifetime achievements. In 2020, she received an OBE in the Queen’s Birthday Honors. Furthermore, she was honored as an international fellow of the Royal Swedish Musical Academy, solidifying her stature in the world of music.

Sally Beamish’s recent work has seen her collaborating with Sir David Bintley on her third full-length ballet, “A Christmas Carol,” to be premiered by the Finnish National Ballet in December 2023. She continues to be a vibrant performer, playing in the string quintet Ensemble V and the York Road Band.

Sally Beamish’s compositions are published by Edition Peters and Norsk Musikforlag, and her music has been championed by the Swedish/International record company BIS since 1999, with many of her recordings available on this label. Her remarkable journey from violist to composer has added depth and diversity to the world of classical music, weaving the rich tapestry of Scotland into her melodies and leaving an indelible mark on the hearts of all who listen.

As Sally Beamish’s music continues to enchant audiences around the globe, we can only look forward to the symphonic wonders she has yet to unveil, all the while celebrating her commitment to the ever-evolving world of classical music.

Kathryn Lewek

Top Classical October 21, 2023

Kathryn Lewek

A Voice of Ethereal Beauty and Unmatched Artistry

TopClassical, October 2023
In the realm of opera, certain voices possess the rare ability to captivate hearts, evoke emotions, and leave audiences in awe. Kathryn Lewek, a soprano of unparalleled talent, has emerged as one of the most luminous stars in the world of classical music. With a voice that soars to celestial heights and a stage presence that enchants, she is redefining operatic brilliance for a new generation.

Kathryn Lewek’s journey to operatic greatness is a testament to her unwavering dedication and extraordinary talent. Born in 1982 in Baltimore, Maryland, she showed early promise as a singer. Her passion for music led her to pursue formal training at the Indiana University Jacobs School of Music and the Juilliard School, where she honed her craft and developed the remarkable instrument that is her voice.

Lewek’s vocal range is nothing short of astonishing. Her ability to effortlessly navigate the most challenging coloratura soprano repertoire has earned her the title of “Queen of the High F.” She possesses a crystalline soprano voice that soars into the stratosphere with a purity and clarity that are second to none. Her vocal acrobatics, agility, and precision in executing fiendishly difficult coloratura passages have left audiences and critics alike in awe.

One of the hallmarks of Kathryn Lewek’s career is her mastery of roles that demand vocal prowess and dramatic depth. Her portrayal of the Queen of the Night in Mozart’s “The Magic Flute” has become iconic. With her spine-tingling rendition of “Der Hölle Rache,” she has taken audiences on a journey through the depths of vengeance and despair.

But Lewek’s talents extend far beyond Mozart. Her repertoire includes a wide range of operatic heroines, from Donizetti’s Lucia di Lammermoor to Gounod’s Juliette and Handel’s Cleopatra. In each role, she brings a unique and captivating interpretation, breathing life into characters from different eras and worlds.

Kathryn Lewek’s impact on the opera world extends beyond her breathtaking performances. She is a trailblazer who has broken barriers and challenged conventions. As a woman of color in an industry that has often been criticized for its lack of diversity, she has paved the way for a new generation of artists.

Her commitment to pushing the boundaries of opera and reaching new audiences is evident in her collaborations with contemporary composers and her participation in innovative productions. She is not content with resting on the laurels of tradition but seeks to expand the horizons of what opera can be.

As we look to the future of classical music and opera, Kathryn Lewek stands as a shining beacon of inspiration. Her remarkable talent, dedication to her craft, and determination to make opera more inclusive and accessible ensure that her influence will continue to grow.

Whether performing on the world’s most prestigious stages or using her platform to advocate for change in the opera industry, Kathryn Lewek is a true force of nature. Her voice, like a celestial choir, reminds us of the transcendent power of music and the boundless possibilities of the human voice.

In an art form where perfection is often pursued but rarely achieved, Kathryn Lewek has attained a level of excellence that is truly awe-inspiring. Her presence on the operatic stage is a gift to all who have the privilege of experiencing her artistry, and her future promises even greater heights of musical brilliance.