The American Project

February 2022
The American Project” presents pianist Yuja Wang accompanied by the Louisville Orchestra, conducted by Teddy Abrams, in an exploration of a unique blend of jazz and classical music. The CD includes two notable works, Abrams’s Piano Concerto and Michael Tilson Thomas’s “You Come Here Often?,” both of which showcase Wang’s technical prowess and versatility as a musician.

In Teddy Abrams’s Piano Concerto, intended as a companion piece to Gershwin’s “Rhapsody in Blue,” Wang’s performance is undeniably skillful, though it occasionally leaves something to be desired. Throughout the piece, she dazzles with her nimble fingers and command of the instrument, especially in the intricate cadenzas and funky ostinatos. However, while she navigates the contrasting elements of jazz-meets-classical with ease, there are moments where her interpretation feels somewhat restrained, lacking the full emotional depth that the music demands.

The swinging overture and blues riff in the concerto offer glimpses of excitement and energy, but the overall expression seems to fall short in capturing the essence of the music’s potential. It almost feels as though Wang plays it safe, adhering to technical brilliance while missing opportunities to truly immerse herself in the rich tapestry of emotions within the piece.

The collaboration between Yuja Wang and the Louisville Orchestra, under the baton of Teddy Abrams, is solid, but at times, it lacks the spark that could have taken the performance to a higher level. The partnership between Wang and Abrams, both long-time friends and colleagues from their studies at the Curtis Institute of Music, is evident, but it seems that they could have taken more risks and ventured deeper into the jazz-inspired elements to create a more captivating experience.

Michael Tilson Thomas’s “You Come Here Often?” offers a momentary respite on the CD, with its playful and light-hearted character. Wang’s execution of the solo piece is commendable, with her technical finesse and ability to traverse between soft jazz sections and the barnstorming ending. However, the performance falls somewhat short in terms of emotional connection, leaving the listener wanting for more profound engagement.

In conclusion, “The American Project” presents Yuja Wang as a highly skilled and versatile pianist, capable of navigating the complexities of jazz and classical fusion. While her interpretations in the CD are undeniably fine, they may not fully satisfy those seeking a more profound and emotionally immersive experience. The collaboration between Wang and the Louisville Orchestra is solid, but it lacks the daring and adventurous spirit that could have elevated the performances to greater heights.

“The American Project” is worth listening to for those who appreciate technical brilliance and the blending of jazz and classical music. However, for those seeking a truly transformative and emotionally charged interpretation, this CD may not fully meet those expectations.